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i-eviscerate:

Claire Finin - The Things I Never Said (2012) 

Mother’s handkerchief, human hair 12 x 12”

creative-day:

Do Ho Suh

Wielandstr. 18

r-gue:

instagram - rvgue

darksilenceinsuburbia:

Martín Azúa: Vases with Stones

pleoros:

Andy Goldsworthy - Snow brought to an edge to catch winter light on a clear day Brough, Cumbria 25 January, 1984; Sand edged to catch early light viewed from south Abersoch, North Wales August, 1983.

mandrakemyrtle:

Metaphysics pt 6 by Jes Cervoni on Flickr.

eightiesart:

ANNA CAMPBELL BLISS

ancientart:

Relief of Eagle-Headed Winged Figure Standing Between Two Sacred Trees. Neo-Assyrian, from Nimrud (Iraq), dated to ca. 883-859 BCE.

Each genie depicted in the reliefs exhibited here carries two knives tucked in his garment and in some cases a whetstone for sharpening the blades as well. Knives of this type are known to have been used from as early as the twelfth century b.c. Their hilts were often inlaid with bone, ivory, bronze, or precious metal, and their scabbards were decorated with the heads of birds. The whetstones were also decorated with an animal head, often of a horse or a bull. (Brooklyn)

Courtesy of & can be viewed at the Brooklyn Museum, USA. Via their online collections55.156.

uncurateursansqualite:

Carne Trémula.

Adriana Varejao is a Brazillian-born artist whose work notably includes sculptural tile presentations with a carnal touch, incorporating flesh and intestine-like elements on her surfaces. On view: Ruina de charque (Nova Capela Jerked-Beef Ruin), 2003. Varejao exhibits with Lehmann Maupin. #adrianavarejao

adapto:

Alexander Calder

Steel Fish (1934)

getrejectedwiththequickness:

First set of porcelain teeth with gold lustre fillings are done!!!

exam:

Craig Kauffman



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